over 1 year ago
theverge.com
Prey understands what makes Predator interesting: the hunt
A refreshing return to form for the franchise
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over 1 year ago
cgmagonline.com
The Harbinger Review – Fantasia 2022 - CGMagazine
Trauma and dreams rest at the centre of The Harbinger, and while not everything works, it delivers where it counts to...
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almost 2 years ago
cgmagonline.com
The Man from Toronto (2022) Review - CGMagazine
With an overly long runtime, jokes that fall flat, and a plot that makes little to no sense, The Man from Toronto is ...
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almost 2 years ago
theverge.com
Netflix’s Spiderhead makes its dystopic sci-fi vision seem playful
Like an extra long episode of Black Mirror
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almost 2 years ago
cgmagonline.com
Abandoned (2022) Review - CGMagazine
While Abandoned delivers a fair level of scares and tense moments, the core of the story never quite hits home.
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over 2 years ago
theverge.com
Netflix’s The House is an unsettling anthology wrapped in cozy stop-motion
A creepy way to start out 2022.
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over 2 years ago
theverge.com
Don’t Look Up is an absurdist mirror of our reality — before it just becomes a regular mirror
It’s the end of the world as we know it.
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over 2 years ago
theverge.com
Nightmare of the Wolf captures the soul of The Witcher, even without Geralt
Yes, there’s a batch scene.
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almost 3 years ago
theverge.com
Black Widow injects a little James Bond into the MCU
Superhero meets spy thriller.
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almost 3 years ago
theverge.com
Pixar’s Luca is the perfect summer movie
Coming soon to Disney Plus.
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almost 3 years ago
theverge.com
The Mortal Kombat movie is at its best when it mimics the games
A movie that tries a little too hard to be serious.
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about 3 years ago
theverge.com
Prisoners of the Ghostland is destined to be the next Nic Cage cult movie
That doesn’t mean it’s good.
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about 8 years ago
theverge.com
Only Yesterday is an intensely relatable blast from Studio Ghibli's past
The beautifully produced release is nothing less than the movie deserves after so long in the wilderness.
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